TY - GEN
T1 - Common fate model for unison source separation
AU - Stoter, Fabian Robert
AU - Liutkus, Antoine
AU - Badeau, Roland
AU - Edler, Bernd
AU - Magron, Paul
N1 - Publisher Copyright:
© 2016 IEEE.
PY - 2016/5/18
Y1 - 2016/5/18
N2 - In this paper we present a novel source separation method aiming to overcome the difficulty of modelling non-stationary signals. The method can be applied to mixtures of musical instruments with frequency and/or amplitude modulation, e.g. typically caused by vibrato. It is based on a signal representation that divides the complex spectrogram into a grid of patches of arbitrary size. These complex patches are then processed by a two-dimensional discrete Fourier transform, forming a tensor representation which reveals spectral and temporal modulation textures. Our representation can be seen as an alternative to modulation transforms computed on magnitude spectrograms. An adapted factorization model allows to decompose different time-varying harmonic sources based on their particular common modulation profile: hence the name Common Fate Model. The method is evaluated on musical instrument mixtures playing the same fundamental frequency (unison), showing improvement over other state-of-the-art methods.
AB - In this paper we present a novel source separation method aiming to overcome the difficulty of modelling non-stationary signals. The method can be applied to mixtures of musical instruments with frequency and/or amplitude modulation, e.g. typically caused by vibrato. It is based on a signal representation that divides the complex spectrogram into a grid of patches of arbitrary size. These complex patches are then processed by a two-dimensional discrete Fourier transform, forming a tensor representation which reveals spectral and temporal modulation textures. Our representation can be seen as an alternative to modulation transforms computed on magnitude spectrograms. An adapted factorization model allows to decompose different time-varying harmonic sources based on their particular common modulation profile: hence the name Common Fate Model. The method is evaluated on musical instrument mixtures playing the same fundamental frequency (unison), showing improvement over other state-of-the-art methods.
KW - Common Fate Model
KW - Sound source separation
KW - non-negative tensor factorization
U2 - 10.1109/ICASSP.2016.7471650
DO - 10.1109/ICASSP.2016.7471650
M3 - Conference contribution
AN - SCOPUS:84973325006
T3 - ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings
SP - 126
EP - 130
BT - 2016 IEEE International Conference on Acoustics, Speech and Signal Processing, ICASSP 2016 - Proceedings
PB - Institute of Electrical and Electronics Engineers Inc.
T2 - 41st IEEE International Conference on Acoustics, Speech and Signal Processing, ICASSP 2016
Y2 - 20 March 2016 through 25 March 2016
ER -