TY - GEN
T1 - Piano "forte pedal" analysis and detection
AU - Schutz, Antony
AU - Bertin, Nancy
AU - Slock, Dirk T.M.
AU - David, Bertrand
AU - Badeau, Roland
PY - 2008/12/1
Y1 - 2008/12/1
N2 - Pressing the sustain pedal is one of the main musical gestures in a piano performance. It influences the sound produced by the instrument, and consequently the efficiency of any automatic system analyzing it. This paper aims at highlighting several features, observable on piano sounds played with pedal, which could be useful in the task of detecting the sustain pedal, and analyzing notes played while it is pressed. Here, we consider two hypotheses, derived from physical acoustics considerations and signal observations, that could help discriminate between notes played with and without the sustain pedal. First, the sustain pedal is found to increase the decay time of partials. This effects dominates the behavior of the partials, not only in duration but also in terms of spectral evolution. Secondly, when the sustain pedal is used, a noise floor appears, for all notes of the piano. Those two effects are investigated in this work, in particular through a method based on a "harmonic plus noise" decomposition. The possibility to use those features as a base for a detection system is discussed.
AB - Pressing the sustain pedal is one of the main musical gestures in a piano performance. It influences the sound produced by the instrument, and consequently the efficiency of any automatic system analyzing it. This paper aims at highlighting several features, observable on piano sounds played with pedal, which could be useful in the task of detecting the sustain pedal, and analyzing notes played while it is pressed. Here, we consider two hypotheses, derived from physical acoustics considerations and signal observations, that could help discriminate between notes played with and without the sustain pedal. First, the sustain pedal is found to increase the decay time of partials. This effects dominates the behavior of the partials, not only in duration but also in terms of spectral evolution. Secondly, when the sustain pedal is used, a noise floor appears, for all notes of the piano. Those two effects are investigated in this work, in particular through a method based on a "harmonic plus noise" decomposition. The possibility to use those features as a base for a detection system is discussed.
UR - https://www.scopus.com/pages/publications/84866480689
M3 - Conference contribution
AN - SCOPUS:84866480689
SN - 9781605602950
T3 - Audio Engineering Society - 124th Audio Engineering Society Convention 2008
SP - 1064
EP - 1070
BT - Audio Engineering Society - 124th Audio Engineering Society Convention 2008
T2 - 124th Audio Engineering Society Convention 2008
Y2 - 17 May 2008 through 20 May 2008
ER -