Abstract
As a prime example of the time loop genre, Edge of Tomorrow (Doug Liman, 2014) deals with the experience of time. But not only does it present the macroscopic time distortion of a character trapped in a daylong time loop; it also draws the viewer to experience the characters’ subjective dimensions of the instant. Doing so, it proposes a psychological exploration that is relevant even for us ordinary denizens of non-looping time. In this article, I will argue that the movie succeeds in immersing the viewer in the microscopic level of the “psychological moment” by means of the combination of two devices within the context of a time loop: first, the entanglement of the epistemic states of the characters and of the viewer; second, the inchoate romance between the two main characters.
| Original language | English |
|---|---|
| Pages (from-to) | 42-62 |
| Number of pages | 21 |
| Journal | Projections (New York) |
| Volume | 19 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 1 Mar 2025 |
Keywords
- dramatic irony
- epistemic state
- specious present
- subjective time
- theory of mind
- time loop