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Integrating constraints and concurrent objects in musical applications: A calculus and its visual language

  • Camilo Rueda
  • , Gloria Alvarez
  • , Luis O. Quesada
  • , Gabriel Tamura
  • , Frank Valencia
  • , Juan Francisco Díaz
  • , Gerard Assayag
  • Pontificia Universidad Javeriana de Cali
  • Universidad del Valle, Cali
  • Analysis/Synthesis Team

Résultats de recherche: Contribution à un journalArticleRevue par des pairs

10 Citations (Scopus)

Résumé

We propose PiCO, a calculus integrating concurrent objects and constraints, as a base for music composition tools. In contrast with calculi such as [5], [9] or TyCO [16], both constraints and objects are primitive notions in PiCO. In PiCO a base object model is extended with constraints by orthogonally adding the notion of constraint system found in the ρ-calculus [12]. Concurrent processes make use of a constraint store to synchronize communications either via the ask and tell operations of the constraint model or the standard message-passing mechanism of the object model. A message delegation mechanism built into the calculus allows encoding of general forms of inheritance. This paper includes encodings in PiCO of the concepts of class and sub-class. These allow us to represent complex partially defined objects such as musical structures in a compact way. We illustrate the transparent interaction of constraints and objects by a musical example involving harmonic and temporal relations. The relationship between Cordial, a visual language for music composition applications, and its underlying model PiCO is described.

langue originaleAnglais
Pages (de - à)21-52
Nombre de pages32
journalConstraints
Volume6
Numéro de publication1
Les DOIs
étatPublié - 1 janv. 2001
Modification externeOui

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